auteurs Genres et acteurs du cinéma français - Presses ...
of Iranian modernity. This repressed hybridity had its roots in earlier encounters
with both modern representational technologies (i.e., photography, sound
recording, and moving picture) and the internal scapegoat, that is, the abject
figure of the Babi. Cinema deployed tropes that were derived from the ta?ziya
tradition.
Un extrait du document